C 63 AMG Black Series

C 63 AMG Black Series (C204) records one precise Mercedes-Benz performance-car configuration from 2012–2013. The C204 Black Series was the most focused naturally aspirated C-Class derivative of its generation.

At its centre is a 6,208 cc naturally aspirated v8 identified as M 156. The cited manufacturer material supports 380 kW (517 PS) for this scope and 620 Nm. The Black Series raises the naturally aspirated 6.2-litre AMG V8 to 380 kW and combines it with widened track-focused coupé bodywork.

The powertrain sits in a longitudinal front engine, rear-wheel drive layout and works through a 7-speed AMG SPEEDSHIFT MCT.

This entry belongs to a deliberately narrow Mercedes-Benz chronology. Related badges, body styles and competition derivatives can share a visual or mechanical vocabulary without sharing exact specifications. The family tree supplies context, not permission to transfer a recording or fact from a neighbouring model.

The listening cues large-capacity V8, MCT gear changes, track-focused exhaust, front-engine coupé are orientation rather than proof. A cold start can expose idle control and mechanical texture; acceleration can document induction, combustion and shift behaviour; a fly-by can place exhaust and tyre sound in an exterior context.

The focus here is the C204 C 63 AMG Coupé Black Series. It excludes the standard C 63 coupé, saloon and estate, plus tuned cars. Many survivors have replacement exhausts, engine work or other changes. An openly licensed recording may still be useful when its exact state is uncertain, but the page will show a visible Unregistered note until evidence resolves the match.

It invites cold start, acceleration and fly-by recordings, as well as photographs, documents and corrections.

A photograph identifies the model but does not prove every detail of a surviving car.

Exact location and ownership evidence stay private while the technical context remains available to later listeners.

That evidence also helps readers compare like with like. A useful submission therefore describes what was heard and how it was recorded, while avoiding claims that the microphone alone cannot establish.

The exact model boundary also keeps the archive useful as the catalogue grows. A reader can follow adjacent generations and special editions without mistaking shared family history for interchangeable hardware. A contributor can attach a photograph, correction or sound to one durable identity, while editors preserve the source, licence and unresolved details that explain why the evidence belongs there.

Preservation means keeping every claim inspectable and correctable. That structure protects the exact identity on which a meaningful sound archive depends.